So most of what I will be saying I said at critique, but the shadows on the cars really compliment your composition. I don't know what you saw when you were shooting these, but the way that the hair is brought out by the tree branches really ties in nature into something so separate. Your exploration of spaces has formed into something I can relate with your original idea, but re-creating it. You put others in an uncomfortable place, even if it's only for a little while. After spending time with the people at Sanger B. Powers I feel some emotions that I felt when I was there. Are there any other spaces that you found that you've accomplished a similar feeling with?
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So most of what I will be saying I said at critique, but the shadows on the cars really compliment your composition. I don't know what you saw when you were shooting these, but the way that the hair is brought out by the tree branches really ties in nature into something so separate. Your exploration of spaces has formed into something I can relate with your original idea, but re-creating it. You put others in an uncomfortable place, even if it's only for a little while. After spending time with the people at Sanger B. Powers I feel some emotions that I felt when I was there. Are there any other spaces that you found that you've accomplished a similar feeling with?
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