I am intrigued by your idea here. I think your desire to follow the deadpan look is starting in a good place. I think you can go so many places at this point and with what you have, I think that is what you need to do from here. I would say zoom up or step back. What if you did add people in their door frame looking out at you? I guess that might take away from your deadpan effect, but I don't know if thats something you can think about. I think the last one is your strongest one. I think the peeling paint on the house gives the house just a bit of charactor. Also the one above it is interesting to me with the horse in the front of the door. It just speaks to me a bit more about the idea of what is contained in this house. This reminds me of a modern version of the water towers that the Bechers shot. I like the repetition of the numbers and the patience of the shooting of the same thing. I think from here, you can shoot many different ways and I am very excited to see where you go from here!
1 comments:
I am intrigued by your idea here. I think your desire to follow the deadpan look is starting in a good place. I think you can go so many places at this point and with what you have, I think that is what you need to do from here. I would say zoom up or step back. What if you did add people in their door frame looking out at you? I guess that might take away from your deadpan effect, but I don't know if thats something you can think about. I think the last one is your strongest one. I think the peeling paint on the house gives the house just a bit of charactor. Also the one above it is interesting to me with the horse in the front of the door. It just speaks to me a bit more about the idea of what is contained in this house. This reminds me of a modern version of the water towers that the Bechers shot. I like the repetition of the numbers and the patience of the shooting of the same thing. I think from here, you can shoot many different ways and I am very excited to see where you go from here!
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